We think racial attitudes like this are only in certain areas of the US, but this but clearly it happens everywhere.
http://thinkprogress.org/alyssa/2013/11/12/2926351/washington-posts-richard-cohen-person-confused-blasio-mccray-marriage/
Tuesday, November 12, 2013
Saturday, November 9, 2013
Friday, November 8, 2013
What is with the GRR Martin writes strong women characters meme?
So people seem to think that Martin's female characters are exceptionally strong. I have been thinking about this, as I read the last 3 books on vacation this year, my first in 10 years. There are a bevvy of women in the book. There are spoilers...
Catelyn Stark who is married to a man she didn't love after her betrothed died. She never forgave her husband for the illegitimate son and bringing him into the home. She encourages her son to wage war in revenge for his father's murder, and then is killed at her brother's wedding when the Starks are betrayed by the Karstarks only to be resurrected as an unforgiving leader of an outlaw band.
Alysa Stark the mistress of Ayre and the mother to a weakling son, whom at 8 she still breast-feeds. (I have nothing against breast-feeding, I breast fed my son for a year and would have done it longer except he quit). She rules the roost like a petulant child who will not leave her room for anything and imprisons people because she does not like them or what they say. Eventually she drinks of her own medicine as she is push out the sky door by her husband Baylish. He was sent there by the queen to take Alysa to hand and bring her around to supporting Cersei's son as king.
Sansa Stark the older Stark girl, who sees her father beheaded. She is first betrothed to Joffery, Cersei's older son, who violently and repeatedly has her publicly abused. Sansa is then married to Cersei's younger brother, the dwarf Tyrion at the age of 12, he 'has his way with her'. She is then wooed and helped to escape by a fool, rather a drunk knight who makes very inappropriate advances and with the conniving of Baylish helps her to escape. Baylish takes her to Catelyn's insane sister, after imprisoning her at his estate and getting her to take on a false identity for her protection and emotionally and verbally abusing her/brainwashing her. He then takes her to her aunt's where her aunt abuses her, then attempts to push her out a door in the 'sky' for stealing Baylish.
Arya Stark who also saw her father beheaded, and unlike Sansa who stays due to romantic ideas of kings and marriage, escapes. She is perhaps the strongest female character so far. She roams the countryside with a band of boys, with her short pointed sword, Needle. She is repeatedly imprisoned and escapes, she uses techniques taught by a sword master and by hook or by crook. She always in spite of horrific experiences always manages to land on her feet, finally to end up with a 'religious' order of assassins and getting training, for her list of revenge killings.
Cersei Barthenon, perhaps the most distrubing of the female characters. She is the queen to dead Robert, whom she had murdered, so her insane sadist son could take over the throne. She uses sex to get everything she wants, has 3 children by her twin brother, the discovery of which causes Brandon Stark a 7 year old boy to become an invalid and almost to be murdered by Jamie, Cersei's twin.
Melisandra the Red priestess, who makes all manner of evil happen including giving birth to a shadow that kills a contender to the throne. She reads fire and has the other brother to the dead king who is fighting for the crown. She is a religious zealot.
Daneryes Taragyen the queen across the ocean and the mother of dragons. She was abused by her power hungry insane brother, who if he had the opportunity he would have had sex with her. He sells her to a horse lord who terrifies her, covers her brother in molten gold. I have to check again but I think at first her husband rapes her, but then she 'falls' in love with him. She is supported by various disgraced knights, who love her but are banished when she finds out. She crosses a continent freeing slaves and nursing the only living dragons, born of the fire of her husband pyre and on her son's death bed. She wants to help and make things right for the slaves, but is fighting a loosing battle against an entrenched system of slavery and dominion.
Brienne Tarth the woman so ugly she became a knight. She is kind and genuine in many ways the ideal maid except she was so 'homely' no one would marry her, she is tormented by men. She spends much of the story on two quests, bringing Jamie to Cersei. She ultimately falls in love with Jamie, although it is never consummated, she is too damn ugly for that right. Then she is off to find Sansa Stark, but runs into all kinds of trouble and is ultimately is turned into one of the undead that suddenly populate the story.
Not sure how these are 'strong women' characters more like women reacting in various ways to horrendous abuse only to be eventually killed.
Catelyn Stark who is married to a man she didn't love after her betrothed died. She never forgave her husband for the illegitimate son and bringing him into the home. She encourages her son to wage war in revenge for his father's murder, and then is killed at her brother's wedding when the Starks are betrayed by the Karstarks only to be resurrected as an unforgiving leader of an outlaw band.
Alysa Stark the mistress of Ayre and the mother to a weakling son, whom at 8 she still breast-feeds. (I have nothing against breast-feeding, I breast fed my son for a year and would have done it longer except he quit). She rules the roost like a petulant child who will not leave her room for anything and imprisons people because she does not like them or what they say. Eventually she drinks of her own medicine as she is push out the sky door by her husband Baylish. He was sent there by the queen to take Alysa to hand and bring her around to supporting Cersei's son as king.
Sansa Stark the older Stark girl, who sees her father beheaded. She is first betrothed to Joffery, Cersei's older son, who violently and repeatedly has her publicly abused. Sansa is then married to Cersei's younger brother, the dwarf Tyrion at the age of 12, he 'has his way with her'. She is then wooed and helped to escape by a fool, rather a drunk knight who makes very inappropriate advances and with the conniving of Baylish helps her to escape. Baylish takes her to Catelyn's insane sister, after imprisoning her at his estate and getting her to take on a false identity for her protection and emotionally and verbally abusing her/brainwashing her. He then takes her to her aunt's where her aunt abuses her, then attempts to push her out a door in the 'sky' for stealing Baylish.
Arya Stark who also saw her father beheaded, and unlike Sansa who stays due to romantic ideas of kings and marriage, escapes. She is perhaps the strongest female character so far. She roams the countryside with a band of boys, with her short pointed sword, Needle. She is repeatedly imprisoned and escapes, she uses techniques taught by a sword master and by hook or by crook. She always in spite of horrific experiences always manages to land on her feet, finally to end up with a 'religious' order of assassins and getting training, for her list of revenge killings.
Cersei Barthenon, perhaps the most distrubing of the female characters. She is the queen to dead Robert, whom she had murdered, so her insane sadist son could take over the throne. She uses sex to get everything she wants, has 3 children by her twin brother, the discovery of which causes Brandon Stark a 7 year old boy to become an invalid and almost to be murdered by Jamie, Cersei's twin.
Melisandra the Red priestess, who makes all manner of evil happen including giving birth to a shadow that kills a contender to the throne. She reads fire and has the other brother to the dead king who is fighting for the crown. She is a religious zealot.
Daneryes Taragyen the queen across the ocean and the mother of dragons. She was abused by her power hungry insane brother, who if he had the opportunity he would have had sex with her. He sells her to a horse lord who terrifies her, covers her brother in molten gold. I have to check again but I think at first her husband rapes her, but then she 'falls' in love with him. She is supported by various disgraced knights, who love her but are banished when she finds out. She crosses a continent freeing slaves and nursing the only living dragons, born of the fire of her husband pyre and on her son's death bed. She wants to help and make things right for the slaves, but is fighting a loosing battle against an entrenched system of slavery and dominion.
Brienne Tarth the woman so ugly she became a knight. She is kind and genuine in many ways the ideal maid except she was so 'homely' no one would marry her, she is tormented by men. She spends much of the story on two quests, bringing Jamie to Cersei. She ultimately falls in love with Jamie, although it is never consummated, she is too damn ugly for that right. Then she is off to find Sansa Stark, but runs into all kinds of trouble and is ultimately is turned into one of the undead that suddenly populate the story.
Not sure how these are 'strong women' characters more like women reacting in various ways to horrendous abuse only to be eventually killed.
Objectification
http://www.walkingbutterfly.com/2010/12/22/when-you-kill-ten-million-africans-you-arent-called-hitler/
A friend posted this article on FB, and as I read it, I realized how much I have been struggling with othering and objectification in what I have seen here in Iceland and elsewhere. Right now it is more focused on Iceland as I am living here and their conversations are the top thing on my mind.
I even find myself doing some of this as I teach, where it is easy to use the US as an example, since there is just so much out there about the US, youtube, research and media in general. I find myself saying things like not to generalize or qualifying it with my own experiences in the Midwest. But it worries me because I see how easily we or one can draw a circle around one´s self and point outside of it and say this is not me or look how strange different or odd those people outside of the circle are. This includes cultural voyeurism things akin to ´culture days´ Where people are encouraged to put their different culture on display for the curious the unknowing and the leering public. Sure it can create a modicum of cross cultural interaction and some understanding, but what my problem with this type of work is that it is always and invariably an us versus them scenario.
Here is my flag, my language, my food, my music. It doesn´t often lead to the deeper discussion and development of cross-cultural understanding that really needs to take place. And sadly much of what I have seen here is in this vein, only skin deep and at best focused on the tip of the iceberg. In fact just thinking about it is so upsetting that I can´t focus my thoughts enough to write something organized about it. And added to that is that I find it difficult to find people to discuss it with, who would understand without getting defensive with the critique I am making about all the good things that are going on here.
I find my mind going off to think of nicer and easier topics, than a critique of something so hard. I know I have a few articles to write, and i have to think hard about how they are framed and phrased, but my mind wont let me think about them yet so I will keep trying to write ideas and thoughts on paper and elsewhere until I have it all framed and ready to just write write write.
A friend posted this article on FB, and as I read it, I realized how much I have been struggling with othering and objectification in what I have seen here in Iceland and elsewhere. Right now it is more focused on Iceland as I am living here and their conversations are the top thing on my mind.
I even find myself doing some of this as I teach, where it is easy to use the US as an example, since there is just so much out there about the US, youtube, research and media in general. I find myself saying things like not to generalize or qualifying it with my own experiences in the Midwest. But it worries me because I see how easily we or one can draw a circle around one´s self and point outside of it and say this is not me or look how strange different or odd those people outside of the circle are. This includes cultural voyeurism things akin to ´culture days´ Where people are encouraged to put their different culture on display for the curious the unknowing and the leering public. Sure it can create a modicum of cross cultural interaction and some understanding, but what my problem with this type of work is that it is always and invariably an us versus them scenario.
Here is my flag, my language, my food, my music. It doesn´t often lead to the deeper discussion and development of cross-cultural understanding that really needs to take place. And sadly much of what I have seen here is in this vein, only skin deep and at best focused on the tip of the iceberg. In fact just thinking about it is so upsetting that I can´t focus my thoughts enough to write something organized about it. And added to that is that I find it difficult to find people to discuss it with, who would understand without getting defensive with the critique I am making about all the good things that are going on here.
I find my mind going off to think of nicer and easier topics, than a critique of something so hard. I know I have a few articles to write, and i have to think hard about how they are framed and phrased, but my mind wont let me think about them yet so I will keep trying to write ideas and thoughts on paper and elsewhere until I have it all framed and ready to just write write write.
Subscribe to:
Posts (Atom)